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ArtReach
Award-Winning
Plays and Scripts for Children, Schools, Theatres! School
Plays, Children's Theatre Plays for Education, Educational
Outreach, Playscripts, One Act Plays, One Acts for Middle Schools and
High Schools! Children's Musicals and Children's Christmas
Plays and Christmas Musicals! Large Cast Plays for Schools,
Small Cast Plays for Theatre School Touring! Great School Plays
for Children to Perform!
 "Amelia
Earhart was excellent and created a real interest in
turn-of-
the-century
American history."
Preble
County Arts Council, Eaton, OH
Touring
Show for Middle Schools, High Schools, Touring to Young Audiences!
Winner
of a
National
Endowment for the Arts Playwriting Award.
One-Act
Plays for Middle Schools and High Schools, Students!
Winner
of five Ohio
Arts Council Playwriting
Awards.
Top
One-Act Plays for Educational Outreach and School Tours!
A
Proven Winner for One Act Play High School Competitions
& Thespian Contests!
"Amelia
Earhart held our high school students spellbound throughout the performance."
Clark
Academy Cincinnati, OH
ArtReach
Touring Plays for Young Audiences (TYA)!
Expanded
Cast Plays for Touring to Schools!
Plays
for
Kids, One Acts for Schools, Theatres, Youth Groups!
Playscripts
for Young People, Kids to Perform!
Scripts
for
Young People's Theatre, Drama Clubs, After School Programs!
"Amelia
Earhart was excellent and created a real interest in
turn-of-
the-century
American history."
Preble
County Arts Council, Eaton, OH
Expanded
Cast Touring Show for Touring
to Schools, Young Audiences!
Winner
of a
National
Endowment for the Arts Playwriting Award.
One-Act
Plays for Middle School and High School Students!
Winner
of five Ohio
Arts Council Playwriting
Awards.
Top
One-Act Plays for Educational Outreach and School Tours!
A
Proven Winner for One Act Play High School Competitions
& Thespian Contests!
"Amelia
Earhart held our high school students spellbound throughout the performance."
Clark
Academy Cincinnati, OH
ArtReach
Touring Plays for Young Audiences (TYA)!
Expanded
Cast Plays for Touring to Schools!
Plays
for
Kids, One Acts for Schools, Theatres, Youth Groups!
Playscripts
for Young People, Kids to Perform!
Scripts
for
Young People's Theatre, Drama Clubs, After School Programs!
"Amelia
Earhart was excellent and created a real interest in
turn-of-
the-century
American history."
Preble
County Arts Council, Eaton, OH
Expanded
Cast Touring Show for Young Audiences!
Winner
of a
National
Endowment for the Arts Playwriting Award. |
|
Amelia Earhart
One
Act Play for Schools and Theatres! |
One
Act Play for Middle, High School Contests, For Young Audiences
Small
Cast Play, Drama One Acts, Educational Outreach, School Tours! |
ADDITIONAL
INFORMATION
Cast
List
The
Best Play for You
CD
Soundtrack Cues
Dialogue
Sample
AMELIA
EARHART
Small
Cast (Touring) Version
CAST
LIST
Running
Time: About 40-45 minutes
Flexible
cast of 3, 1 Male, 1 Female, 1 M/F
Easily
adapted for larger cast.
AMELIA
EARHART (AE): (F)
GEORGE
PUTNAM (GP): (M)
Amelia's
husband.
(Also
plays PAUL MANTZ, COMMANDER THOMPSON, other characters.)
REPORTER:
(M/F)
Present
day news reporter researching Amelia Earhart.
(Also
plays other characters.)
Small
Cast Script & Royalty - Please
contact: Dramatic
Publishing
AMELIA
EARHART
Expanded
Cast Version
CAST
LIST
Running
Time: About 40-45 minutes
Flexible
cast of 11, 3 Male, 1 Female, 7 M/F
Easily
adapted for larger/smaller cast.
AMELIA
EARHART (AE): (F)
REPORTER:
(M/F, 120 LINES)
Present
day newspaper reporter researching Amelia Earhart.
GRACE:
(M/F, 30 LINES)
History
Teller.
EDWIN:
(M/F, 32 LINES)
History
Teller.
MURIEL:
(M/F, 29 LINES)
History
Teller.
SAMUEL:
(M/F, 32 LINES)
History
Teller.
GEORGE
PUTNAM (GP): (M, 127 LINES)
Amelia's
agent, publisher and husband.
PAUL
MANTZ: (M, 13 LINES)
Hollywood
stunt man, Amelia's tutor.
RADIO
ANNOUNCER: (M/F, 12 LINES)
COMMANDER
THOMPSON: (M, 24 LINES)
Naval
Commander of the ship, Itasca.
ITASCA
RADIO OPERATOR (IRO): (M/F, 15 LINES)
Exciting Drama for Young People!  
ArtReach
Touring Theatre, Cincinnati -- Florida Rep, Fort Myers
Excellent
for Young Performers or Young Adult Audiences!
AMELIA
EARHART
WHY
IS THIS PLAY BEST FOR YOUR SCHOOL?
Easy
Choice! Top Quality! All
of these plays were professionally developed by ArtReach Touring
Theatre or were commissioned by Professional LORTS like Florida Rep
and Rep of St. Louis. All have had professional tours to
theatres and schools across the country. Many have won awards
in High School One Act Play Contests, Drama and Thespian Speech and
Theatre Competitions.
Easy Staging and Travel! Competitions
rarely take place on your own stage! These One Act Plays have
been designed to travel to the Contest Host Theatre on that important
competition day. All have easy staging, simple sets & costumes,
minimal props, flexible tech for a mainstage or gym/open facility
performance space. At last your students can worry about their
performance, not the set!
Easy to Adapt with Flexible Casting!
When you license any of our One Act Plays you have permission to cut,
adapt and adjust cast size! You also have permission to make a
video or DVD of the production! At last, you are allowed to
adapt a play to your students' needs!
Easy Budget! These
One Act Plays, can be successfully produced on limited budgets and
by small or expanded student casts with little or no tech
assistance. Many have great background CDs for an easy,
inexpensive professional touch!
Easy Ordering! Follow
the steps to order and pay your royalty, once you've paid,
you're good to go! No complicated applications and the
endless trouble of getting permission to make changes for your
students' needs!
Tried
and True! Our
One Act Plays have been performed literally thousands of times by
many professional theatres such as Stella Adler Theatre, Solano Youth
Theatre, Nebraska Theatre Caravan, Singapore Repertory Theatre,
George Street Players, Fulton Theatre Company, Indiana Repertory
Theatre, Boarshead Theatre, Virginia Stage, Honolulu Theatre for
Youth, Kennedy Center and Sundance Children's Theatre, to name a
few. High Schools, Junior Highs, Middle Schools have been
performing these plays for over 30 years!
[
See Productions of our Touring and One Act Plays ]
AMELIA
EARHART
CD
SOUNDTRACK CUES
Cues,
sound effects, original background music
The
CD Soundtrack contains special sound effects and background music
(original music written for the play) that may be used to greatly
enhance the performance. It does not contain music for the performers
to sing along with. Cues have 10 seconds of silence at the end -
times shown below include silence.
1.
AE THEME, RADIO (4:42)
2.
JAZZY MUSIC 1 (1:35)
3.
AIRPLANE ENGINE, FANFARE (1:59)
4.
APPLAUSE (1:42)
5.
JAZZY MUSIC 1 (REPEAT) (1:35)
6.
FLIGHT MUSIC, LANDING, APPLAUSE (4:32)
7.
JAZZY MUSIC 2 (0:39)
8.
FLIGHT MUSIC (0:42)
9.
AIRPLANE ENGINE (0:53)
10.
FLIGHT MUSIC, RADIO (4:06)
11.
AE THEME (1:59)
Music
& Sound Resources Available on the Internet
( Sheet
Music, Song Books, CDs, DVDs, Sing-along,
Karaoke, Sound
Effects )
AMELIA
EARHART
DIALOGUE
SAMPLE
Expanded
Cast Version
|
Amelia
Earhart is lively and fast-paced, with clever dialogue, well-drawn
characters and lots of spell-binding drama. This scene depicts
her last flight, the moment she lost contact with the Itasca and the world. |
COMMANDER:
She's got exactly one half hour of fuel left. You know that?
IRO: (Increasingly
urgent.) Itasca to Earhart. We can't take a bearing on you at
3105 kilocycles. Please send on 500 or 7500.
COMMANDER: Well?
IRO:
Nothing. Nothing at all.
AE: (Suddenly
and loud.) KHAQQ calling Itasca! We must be on you but we
cannot see you! Gas is running low. Been unable to reach you by
radio. We are flying at an altitude of 1,000 feet.
COMMANDER:
Ahh! She hasn't heard us at all!
IRO:
Something's wrong.
COMMANDER:
You can say that again. The sun just came up! Without radio help,
she'll never find her way in that glare.
(AE
shields her eyes.)
IRO:
But how could there be anything wrong with her radio? I mean, this is
Amelia Earhart - she's got to have the best money can buy!
COMMANDER:
Try the other frequencies!
IRO:
I am! Constantly.
COMMANDER: (Grabbing
the microphone.) Itasca to Earhart. We are receiving your
message. Please acknowledge. Please acknowledge.
AE: (Increasingly
urgent.) We must be on you but we cannot see you. Gas is running low.
COMMANDER:
We are transmitting constantly on 7500 kilocycles, 3105 kilocycles
and 500 kilocycles!
AE:
We are on the line position 157-337. Will repeat this message on 6210.
IRO: (Grabbing
mic.) No! Please stay on 3105. Do not hear you on 6210!
COMMANDER:
Oh, buddy, she is running out of time. If we don't get a bearing on
her soon...
AE: (Frightened.)
Fuel is running low. We are running North and South!
COMMANDER:
North and South? North and South of what? We need another position!
AE:
We are running North and South!
(SOUND
CUE #11. Sudden silence. IRO and COMMANDER freeze. AE calmly and
gracefully descends from cockpit and moves UC to get model plane. We
hear the music used before but now it is more eerie. She lifts plane
high above her head and "flies' it slowly around the stage, then
silently carries it off. Music fades as COMMANDER and IRO exit.
REPORTER enters.)
REPORTER:
And those were the last words anyone ever heard Amelia Earhart speak.
(GP
enters as himself, out of the scene, distraught.)
G.P.
was waiting for A.E. in San Francisco. He had a big Fourth of July
Welcome planned. He told the Chronicle...
GP: (Very
upset—trying to be calm for the press.) A.E. will pull
through. She has more courage than anyone I know. I am worried, of
course, but I have confidence in her ability to handle any situation.
REPORTER:
Commander Thompson called out the big guns and they searched sixteen
days. Every neighboring island, miles and miles of shark-infested
waters. The world was in shock.
GP:
World Flyer Lost! Fuel Supply Runs Low.
REPORTER:
Warship Catches Faint Signal.
GP:
Amelia Floating in the Pacific!
REPORTER:
Amelia Missing in the Pacific!
GP: (Near
tears.) Disaster Ends All Hope.
(GP
is devastated and exits. Ominous music again, the high frequency of
her whistle, sound that holds tension.)
REPORTER:
What happened, Amelia?
Note:
This is a sample from the actual script. To review the entire
play, order the PERUSAL SCRIPT (online instant download).
|
Expanded
Version:
Recommended
for Jr High, Middle Schools, High Schools, Theatres.
(Flexible Cast
of 11: 3 male, 1 female, 7 male/female.)
Touring
Version:
Recommended
for Professional Tours and Outreach Programs.
Cast
of 3, for Adult Actors. Larger Cast Possible.
(2
male, 1 female or 1 male, 2 female.)
READ
SCRIPT SAMPLE, CAST LIST, SOUND CUES
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